Venice is a magical city unlike any other. |
We had explored the winding streets of Venice, window-shopped at fancy boutiques, and enjoyed being serenaded by an Italian gondolier on a night time canal ride—all on a previous trip to the city built on water. So this time we decided wander further away from the main section called Veneto.
We joined a tour that took us to the famous glass-blowing island of Murano and then on to Burano, where lace making is a practiced art. While there, I was on the look-out for some special souvenirs.
Touring on
the water made it easier to see the geographical structure of Venice, which is
composed of 117 natural islands connected by more than 400 bridges. Although the
total population of Venice is 58,000, some of the smaller islands are inhabited
only by sea birds.
Transportation
in Venice is primarily by boat or on foot. Our guide Francesca tells us that
the absence of cars makes Venice one of the safest and cleanest cities in the
world. Children become independent early because they walk everywhere. Murano has many glass blowing furnaces, which attract visitors to the island. |
After riding
through the historical Jewish ghetto of Guidecca, now a pleasant residential
area, and St. Mark’s basin on the southern coast of Venice, we arrived at
Fornace Estavan Rosetto, one of the oldest glass furnaces in Murano. There
master glass blowers gave shape to incredibly beautiful works of art using both
traditional and modern techniques. Glass blowing has become a major tourist
attraction and the main economic factor for Murano, an island of 10,000 people.
Fiery hot glass takes shape in the skilled hands of a master blower. |
A glass blower
apprentices for 15 to 20 years and then continues to perfect his technique before
being considered a master. Working quickly with nimble fingers wielding
metallic tools and a practiced technique of blowing air into a pliable glass
tube, the blowers showed their artistic skills when creating a horse and other
multi-dimensional figures.
An artist's hands created this figurine in just minutes--before the glass cooled. |
After
admiring the uber-expensive exhibits, I wandered into the area with affordable
pieces, not cheap souvenirs but collectible works showcasing all the skills of
the blowers—just smaller and less ornate. I was enthralled by so many lovely
items, but I eventually settled on a traditionally designed vase featuring blue
and copper stripes and 14K gold somehow inserted into the handle. It’s a piece
I’ll treasure for a long time.
Photos by Larry and Beverly Burmeier
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